Se trata de un rack con una interface intuitiva, con unas 120 emulaciones de amplificadores, pantallas, efectos y pedales.

Dispone de loop de efectos estéreo, salidas balanceadas xlr, salidas de 1/4″, afinador cromático, “audio streaming” via usb, equalización global, MIDI In/Thru, salida para auriculares en el panel frontal, etc…

En toda la red, se recomienda sustituir el firmware original por el firmware beta que se puede sacar de aquí: http://www.mustbebeta.com; este firmware varía los amplis emulados y según dicen mejora mucho las emulaciones tal y como vienen de fabrica.

Los pedales y efectos que emula son:

Chorus basados en:

• Boss® CE-2 Chorus
• DigiTech Dual Chorus
• DigiTech Multi-Chorus
• TC Electronics® Chorus

Flangers basados en:

• MXR® Flanger
• DigiTech® Triggered Flanger
• Electro Harmonix® Electric Mistress™

Phaser basados en:

• MXR® Phase 100
• DigiTech® Phaser
• Electro Harmonix® Small Stone™

Pitch models basados en:

• DigiTech® Whammy™
• DigiTech® Pitch Shift
• DigiTech® Detune
• DigiTech® IPS
• Boss® OC-2 Octaver™

Vibrato basado en:

• DigiTech® Vibrato
• DigiTech® Rotary
• DigiTech® Vibro / Pan
• Unicord UniVibe™

Tremolo basado en:

• DigiTech® Tremolo
• DigiTech® Panner
• Fender® Opto Tremolo™
• Vox® Bias Tremolo

Envelope basado en:

• DOD® FX25 Envelope Filter
• DigiTech® Auto Yah™
• DigiTech® YaYa™
• DigiTech® Synth Talk™
• DigiTech® Step Filter

Delays basados en:

• Digital Delay
• Analog Delay
• Pong Delay
• Modulated Delay
• Tape Delay

Reverbs basados en:

• 4 Lexicon® Reverbs
• Fender® Twin Reverb™
• EMT® 240 Plate Reverb

Compresores/Sustainers basados en :

• Boss® CS-2 Compressor / Sustainer
• DigiTech® Main Squeeze Compressor
• MXR® Dynacomp™

Wah/Volumen de pedal basados en:

• Dunlop® Cry Baby Wah™
• DigiTech® Full Range Wah
• Vox® Clyde McCoy Wah™ Volume Pedal

Distorsiones y overdrives basados en:

• SCREAMER Based on an Ibanez® TS-9
• 808 Based on an Ibanez TS-808 Tube Screamer
• SPARKDRIVE Based on a Voodoo® Lab Sparkle Drive®
• OD OVERDRIVE Based on a Guyatone® Overdrive OD-2
• DOD 250 Based on a DOD® 250 Overdrive/Preamp
• RODENT Based on a Pro Co RAT™
• MX DISTORTION Based on an MXR® Distortion +
• DS Based on a Boss® DS-1TM Distortion
• GRUNGE DigiTech® Grunge®
• ZONE Based on a Boss MT-2 Metal Zone®
• DEATH METAL DigiTech Death Metal™
• GONKULATOR Based on a DOD® Gonkulator Ring Modulator
• 8TAVIA Based on a Roger Mayer OctaviaT™
• FUZZLATOR Based on a Demeter Fuzzulator
• CLASSIC FUZZ Based on a DOD Classic Fuzz
• FUZZY FACE Based on an Arbiter® Fuzz FaceTM
• BIG PI Based on an Electro-Harmonix® Big Muff Pi®

Los amplificadores que emula el firmware de fábrica son los siguientes:

• 57 CHAMP Based on a ’57 Fender® Tweed Champ®
• 57 DELUXE Based on a ’57 Fender Tweed Deluxe
• 59 BASSMAN Based on a ’59 Fender Tweed Bassman®
• 62 BROWN BASSMAN Based on a ’62 Fender Brownface Bassman
• 65 DELUXE REVERB Based on a ’65 Fender Blackface Deluxe Reverb®
• 65 REVERB Based on a ’65 Fender Blackface Twin Reverb®
• 65 JTM-45 Based on a ’65 Marshall® JTM-45
• 68 SUPER LEAD PLEXI Based on a ’68 Marshall 100 Watt Super Lead (plexi)
• 68 JUMP PANEL Based on a ’68 Marshall Jump Panel
• 77 MASTER VOLUME Based on a ’77 Marshall Master Volume
• 83 JCM800 Based on an ’83 Marshall JCM800
• 93 JCM900 Based on a ’93 Marshall JCM900
• 01 JCM2000 Based on an ’01 Marchall JCM2000 (Solo Channel)
• 62 AC15 Based on a ’62 Vox® AC15
• 63 AC30 TOP BOOST Based on a ’63 Vox AC30 Top Boost
• 69 HIGH WATTAGE Based on a ’69 Hiwatt® Custom 100 DR103
• 81 MARK IIC Based on an ’81 Mesa Boogie® Mark II C
• 01 DUAL RECTIFIED Based on an ’01 Mesa Boogie Dual Rectifier
• 99 LEGACY VL-100 Based on a Carvin® Legacy VL-100
• 96 MATCH HC-30 Based on a ’96 MatchlessTM HC30
• 88 SLO-100 Based on an ’88 Soldano SLO-100
• DIGITECH SOLO DigiTech® Solo
• DIGITECH METAL DigiTech Metal
• DIGITECH BRIGHT CLEAN DigiTech Bright Clean
• DIGITECH CHUNK DigiTech Chunk
• DIGITECH CLEAN TUBE DigiTech 2101 Clean Tube
• DIGITECH CRUNCH DigiTech Crunch
• DIGITECH BLUES DigiTech Blues
• DIGITECH FUZZ DigiTech Fuzz
• DIGITECH SPANK DigiTech Spank
• DIGITECH HIGH GAIN DigiTech High Gain
• 2101 CLEAN TUBE DigiTech GSP2101TM Artist Clean Tube
• 2101 SATURATED TUBE DigiTech GSP2101 Artist Saturated Tube
• DREAD ACOUSTIC Dreadnaught acoustic
• JUMBO ACOUSTIC Jumbo acoustic
• DIRECT No amp model

Las cabinas emuladas son las siguientes:

• CHAMP 1X8 Based on a 1×8 ’57 Fender® Tweed Champ®
• DELUXE 1X12 Based on a 1×12 ’57 Fender Tweed Deluxe®
• DELUXE REVERB 1X12 Based on a 1×12 ’65 Fender Blackface Deluxe Reverb
• BRITISH 1X12 Based on a 1×12 ’62 Vox® AC15 w/20W Vox Speaker
• BLONDE 2X12 Based on a 2×12 ’57 Fender Blonde Bassman®
• TWIN 2X12 Based on a 2×12 ’65 Fender Blackface Twin Reverb®
• BRITISH 2X12 Based on a 2×12 ’63 Vox® AC30 Top Boost w/ Jensen® Blue Backs
• BASSMAN 4X10 Based on a 4×10 ’59 Fender Tweed Bassman®
• BRITISH 4X12 Based on a 4×12 Marshall® 1969 Straight w/ Celestion® G12-T70
• GREENBACK 4X12 Based on a 4×12 Marshall 1969 Slant w/ Celestion 25W Green backs
• FANE 4X12 Based on a 4×12 Hiwatt® Custom w/ Fane Speakers
• BOUTIQUE 4X12 Based on a 4×12 ’96 VHT® Slant w/ Celestion Vintage 30’s
• VINTAGE 4X12 Based on a 4×12 Johnson® Straight w/ Celestion Vintage 30’s
• DIGITECH SOLO 4X12 4×12 DigiTech® Solo
• DIGITECH BRIGHT 2X12 2×12 DigiTech Bright
• DIGITECH METAL 4X12 4×12 DigiTech Metal
• DIGITECH ROCK 4X12 4×12 DigiTech Rock
• DIGITECH ALT 4X12 4×12 DigiTech Alt Rock
• DIGITECH VINTAGE 4X12 4×12 DigiTech Vintage
• DIGITECH CHUNK 4X12 4×12 DigiTech Chunk
• DIGITECH SPANK 4X12 4×12 DigiTech Spank
• DIGITECH SPEAKER COMP 4×12 DigiTech Speaker Compensation
• DIRECT No cabinet model

Podeis ver los amplis que emula, efectos y caraterísticas aqui :

http://www.digidesign.com/index.cfm?itemid=6862&langid=100

Dejo unos samples del youtube en el apartado de videos.